On September 19, a board exhibition entitled Józef Kwiatek and his street which the Nobiscum Foundation has realized in connection with the 145th anniversary of birth of Józef Kwiatek (1874-1910), will be opened at the P Gallery in the Płock City Hall. The exhibition was […]
The Multicultural Gostynin initiative and the Municipal Cultural Center in Gostynin invite you to this year’s European Heritage Days, which should be interesting to everyone interested in the history of the Jews who once lived in the city. We especially recommend a walk in the […]
World War II brought the extermination of the Jews of Płock. In February and March 1941, the Nazi occupants deported about 10,000 Jews from Płock and nearby towns to German concentration camps. From around 9,000 of Jewish people living in Płock before the outbreak of the war, only a few survived.
When talking about these dark times, we use numbers, often forgetting that specific people are behind them. Men, women and children.
Every now and then important, necessary and smart projects arise in the public space that motivate us to take on new challenges. Inspired by the initiative of Dariusz Popela “People, not numbers” and the project of the “Grodzka Gate – NN Theatre” Center – “Lublin. 43 000”, we will implement the project:
Remembrance. Płock 1939
The goal of the initiative by the Nobiscum Foundation will be to commemorate all Jewish citizens of Płock who perished in the Holocaust. Based on archival documents from the World War II period, we will compile information on all Jews living in Płock, together with data regarding the address of residence and date of birth, which will be available on the JewishPlock.eu website.
We hope that on March 1 next year, on the anniversary of the last deportation of Płock Jews to the camp in Działdowo, we will be able to present you the results of our archival research.
Soon we will also inform you about the next initiative of the project “Remembrance. Płock 1939”.
In 1841, property with the mortgage number 37 at Grodzka Street was purchased from Anna Kłobuszewska nee Zawidzka and Teofila Białkowska née Kłobuszewska by Samuel Majeran. In the years 1841-1842 Majeran erected a brick tenement house on the square. Since 1873, the owner of the […]
My grandfather, Izydor Wajcman (born 1867), came from a large Jewish family associated with Wyszogród. He was the son of Szmul Jochim (1841-1892), son of Zelik Lewek (born 1794) and Ryfka née Eben (born 1796), and Estera Sura née Albert (1837-1901), daughter of Mosiek Albert […]
On August 18, 1920, the Bolshevik army attacked Płock. Until August 19, the city’s civilian population, including women and children, heroically defended themselves on the barricades along with the army, preventing soldiers of Bolshevik Russia from gaining the bridgehead and crossing the Vistula.
In the face of Bolshevik danger, the Jews of Płock did not remain passive. Already ca. July 10, the board of the Jewish community adopted a resolution that reads: “Like one man, children of one land, we must stand up for the country. Whoever is strong and healthy, let him stand up to the enemy, whoever is incapable of fighting, let him sacrifice his social work on the altar of the homeland.”
The Jewish community set up a committee which operated in the recruitment and support section for soldiers and running the hospital for the wounded. The idea of defending the country was undertaken by Jewish youth from the Jewish Co-educational Middle School of Humanities. Local manufacturers of Jewish origin – Izydor Sarna and Maurycy Margulies – also supported Płock residents.
Source: G. Gołębiewski, “Obrona Płocka przed wojskami bolszewickimi 18-19 sierpnia 1920 r.” [Defense of Płock against the Bolshevik forces, August 18-19, 1920], Płock 2015
On a plaque commemorating people killed in the defense of Płock in August 1920 on the guard house building (4 Tumska Street) one can find the names of Jews of Płock: Izaak Assante, Chaim Hammer, Abram Narwa, Ber Nordenberg, Chaim Ogman, Uszer Rotenberg and Dawid Szenwic.
A plaque commemorating people killed in the defense of Płock in August 1920 on the guard house building (4 Tumska Street). Among the many mentioned persons, one can find the names of Jews of Płock: Izaak Assante, Chaim Hammer, Abram Narwa, Ber Nordenberg, Chaim Ogman, Uszer Rotenberg and Dawid Szenwic
Hechaluc began its activity in Płock in 1923. Its founders were A. Kowalski, F. Fliderblum and M. Kenigsberg. Szymon Margulin, Mojżesz Zander and A. Lejbgot were also part of the board of the organization. The organization’s goal was to emigrate its members to Eretz Israel. […]
The branch of the Jewish Social Democratic Labour Party Poale Zion was founded in Płock in 1904. After the Russian Revolution in 1905, the activity of Poale Zion was banned by tsarist police, and the members of the organization went underground. It was only after […]
Alfred Jesion was born in Płock on January 4, 1919 as the son of the sculptor Hersz Lejzor (Herman) (1886-1933) and Chawa nee Szechtman. The Jesion family lived in a tenement house at 4 Nowy Rynek (New Market Square).
Alfred Jesion was interested in sculpture since his early childhood – at the age of six, he made his first work “Łucznik” (“Archer”), according to Wyspiański’s drawing. He graduated from the Władysław Jagiełło Junior High School, he was a student of Płock artists Fiszel Zylberberg and Czesław Idźkiewicz. He exhibited his works for the first time in 1936 at an exhibition organized by the Płock Artistic Club. Before the outbreak of World War II, there were about 20 sculptural works in his workshop and several sculptures, mostly portraits of people well-known in Płock, among others doctor Ignacy Feinberg. All his works from this period were destroyed by the Germans. During World War II he stayed in the East. He served in the Battalions of Work, then he was a soldier of the First Polish Army. After the war, he studied at the Academy of Fine Arts in Warsaw. In 1948, as a student, he won the first prize in a contest for creating a bust of General Jarosław Dąbrowski. In 1950, he was awarded for the composition “Ludwik Waryński”. In the same year, the authorities of the Academy of Fine Arts entrusted him with the position of lecturer of sculpture. In 1952 he was appointed an assistant professor and then an associate professor and was elected dean of the faculty. In 1964 he was appointed chairman of the sculpture cathedral of the Academy of Fine Arts and in the same year he was again elected dean of the faculty. In 1969, Alfred Jesion emigrated to Sweden, where he lectured at the Academy of Fine Arts in Stockholm.
In 1985 he retired. He passed away in 1997.
The most important works of Alfred Jesion include the figurative composition of Ludwik Waryński and the design of the monument to Janusz Korczak. His works also include the busts of General Jarosław Dąbrowski, Władysław Broniewski, Fryderyk Chopin, Czesław Idźkiewicz, the head of Julian Tuwim and Stanisław Jerzy Lec. In 1967, Ash made a reconstruction of the monument destroyed by the Germans in Warsaw, sculpted by Edward Wittig. After his emigration, he introduced the subject of the Holocaust to his sculpture. He dedicated to the Holocaust his sculptural series “Wypalone pnie” (“Burned trunks”) and “Paleni” (“The Burned”).
Kazimierz Askanas, summarizing the work of Alfred Jesion in his book “Sztuka Płocka” (“Art of Płock”), notes: “Jesion feels the material of his sculptures in such a convincing way that it seems that the material […] participates in shaping the idea. This gives the artist unquestionable satisfaction and this probably explains the great variety of sculptural material in the works of Jesion – from ceramic clay, burnt wood, granite and bronze. In each of these materials, a deep sense of the structure and artistic possibilities of the selected material and the high sculptural technique of Jesion are clearly visible […] Alfred Jesion’s works strike with the richness and boldness of the creative concept and the great power of artistic expression. This is particularly visible in the artist’s last sculptures, especially in connection with his deep emotional attitude to the Holocaust, whose unreal representations reflect the depth of his experiences.”
The works of Alfred Jesion can be found in the collections of many cultural institutions, including the Emanuel Ringelblum Jewish Historical Institute in Warsaw.
Abstract works of Alfred Jesion in the Central Judaica Database: link
Photography: Alfred Jesion (source: State Archives in Płock, Akta miasta Płocka, reference number. 26491)
Bibliography:
K. Askanas, Sztuka Płocka, Płock 1991
G. Nowak, Żydzi płoccy. Album pamięci, Płock 2015
Symcha Guterman was born in Warsaw in 1903 as the third child of Mendel, a Talmudist scholar from Radzymin, and Bajla Gitla nee Fiszman, who came from the village of Kozienice near Radom. Her father was the owner of a mill. During World War I, […]
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